Supported by Schering Stiftung, Ari Benjamin Meyers’ first artist’s book “Tacet in Concert” was published in November 2019 by Corraini Edizioni.
“Tacet in Concert” is conceived as the final chapter of a three-part project, and completes the journey begun with his two solo exhibitions: “Tacet” and “In Concert”. Very different in content and presentation, the two shows were held almost consecutively during 2019, the first at Kasseler Kunstverein and the other at OGR Turin.
The book is born from the documentation of these two exhibitions, each conceived in a very different way. “Tacet” is told through a long essay written in the form of a diary by Jörn Schafaff – the archivist – and it may well be the first report of an exhibition made by an (embedded) art theorist who witnessed directly every moment the show was open. In Concert, on the other hand, is fleetingly told through Andrea Rossetti’s photographs, taken at OGR over three days. The volume is enriched by essays by Nicola Ricciardi, by the curators Judith Waldmann and Valentina Lacinio, and by the neuroscientist and managing director of Schering Stiftung Katja Naie. The book also contains a commented catalog of Meyers’ works created between 2013 and 2019, many of which were exhibited as part of Tacet and In Concert.
Published by Corraini Edizioni (in English), ISBN: 9788875707613