Nicole L’Huillier (b. 1985) is a transdisciplinary artist and researcher from Santiago, Chile. Her practice centers on exploring sounds and vibrations as construction materials to delve into questions of agency, identity, collectivity, and the activation of a vibrational imagination. Her work materializes through installations, sonic/vibrational sculptures, custom-made (listening and/or sounding) apparatuses, performances, experimental compositions, membranal poems, and writing. She holds a Ph.D. in Media Arts & Sciences from MIT (2022). Her work has been shown at the 36th Ljubljana Biennale of Graphic Arts (2025), 14a Bienal do Mercosul (2025), 60th International Art Exhibition – La Biennale di Venezia (2024), Tabakalera Donostia (2025), Kunsthalle Bern (2024), Ming Contemporary Art Museum (McaM), Shanghai (2023), ifa-Gallery Stuttgart (2023), Bienal de Artes Mediales Santiago (2023, 2021, 2019, 2017), Staatliche Kunsthalle Baden-Baden (2022), transmediale, Berlin (2022), Ars Electronica, Linz (2022, 2019, 2018), Museo de Arte Contemporáneo (MAC), Santiago de Chile (2022), 6th Ural Industrial Biennale, Ekaterinburg (2021), and 16th International Architecture Exhibition – La Biennale di Venezia (2018), among others.

Nicolas Sanchez aka Nyksan is a Bogotá-born, London-based sound artist and producer who leans toward the adventurous end of the sonic spectrum. He works primarily with mutant electronics, bass technologies, ambient music, drone and experimental sound practices.

Under the Colombian Drone Mafia moniker, his work focuses on the intersection of synthesis and field recordings, creating immersive sonic spaces that operate between unconventional and primitive structures. His compositions weave through atonal layers of texture and timbre, generating a constant tension between memory and dream territories.

He is also the co-founder of TraTraTrax, a key Latin American label and platform dedicated to amplifying cutting-edge electronic music erupting from Sur América and the Global South.