Schering Stiftung

Exhibition 

Installation views of the exhibition "The Red Queen Effect" at the project room of the Schering Stiftung, Berlin

Installation views of the exhibition "The Red Queen Effect" at the project room of the Schering Stiftung, Berlin
Photo: kennedy+swan

Installation views of the exhibition "The Red Queen Effect" at the project room of the Schering Stiftung, Berlin

Installation views of the exhibition "The Red Queen Effect" at the project room of the Schering Stiftung, Berlin
Photo: Luis Kürschner

Installation views of the exhibition "The Red Queen Effect" at the project room of the Schering Stiftung, Berlin

Installation views of the exhibition "The Red Queen Effect" at the project room of the Schering Stiftung, Berlin
Photo: Luis Kürschner

Installation views of the exhibition "The Red Queen Effect" at the project room of the Schering Stiftung, Berlin

Installation views of the exhibition "The Red Queen Effect" at the project room of the Schering Stiftung, Berlin
Photo: Luis Kürschner

Installation views of the exhibition "The Red Queen Effect" at the project room of the Schering Stiftung, Berlin

Installation views of the exhibition "The Red Queen Effect" at the project room of the Schering Stiftung, Berlin
Photo: Luis Kürschner

Installation views of the exhibition "The Red Queen Effect" at the project room of the Schering Stiftung, Berlin

Installation views of the exhibition "The Red Queen Effect" at the project room of the Schering Stiftung, Berlin
Photo: Luis Kürschner

kennedy+swan

The Red Queen Effect

kennedy+swan

The Red Queen Effect

Duration:

September 11 – December 12, 2025

Exhibition opening:

Wednesday, 10. September 2025, 6–10 p.m.

Opening hours:

Thursday and Friday, 2–8 p.m.
Saturday and Sunday, 12–8 p.m.

Venue:

Project Space Schering Stiftung
Unter den Linden 32-34
10117 Berlin

If you are interested in visiting the exhibition with a larger group, be it pupils or students, please contact:
Yicheng Xie
+49.30.20 62 29 66
xie@scheringstiftung.de


At the heart of the exhibition The Red Queen Effect lies a paradox: While artificial intelligence (AI) promises medical advances and breakthroughs, it constantly raises the stakes for those trying to keep up with these developments. kennedy+swan addresses social and ethical issues raised by the increasing use of AI in medicine. Faster diagnoses and more precise treatments that allegedly lead to healthier and longer lives shape individual and collective expectations, fears, and imaginations. AI systems are, however, embedded in existing social, political, and economic structures. The exhibition reveals how they are never a neutral solution: visions and promises surrounding AI are shaped by those who design, supervise, and imagine it as a future cure-all.

The Red Queen Effect¹ consists of two parts. First, a four-channel video work takes us into a fictional health-care startup ALICE.The company offers medical services and products –initially for a group of volunteers. The film addresses the contradictory views (and expectations) provoked by the promises of AI-based health services. Second, the work series titled Lung Portraits consists of 12 light boxes. Watercolors on glass, which have been treated with chemicals, form the starting point for the aesthetic intervention that explores an AI model specialized in recognizing lung cancer from tissue scans. The artist duo developed the works as part of the Art of Entanglement fellowship, which was awarded in 2024 by the Schering Stiftung and the Berlin Institute for the Foundations of Learning and Data (BIFOLD).

The Lung Portraits imitate microscopic specimen. Together with experts from BIFOLD, scans of the watercolors were used in an experiment and fed into the AI system. The system accepted the artistic works as medical images and found “an (…) origin of micropapillary breast carcinoma” in one of them. These and other diagnoses were transferred onto the water-colors by the artists using laser engraving. This experiment shows that many systems tend to provide seemingly plausible diagnoses rather than admit uncertainty. kennedy+swan question the systems’ reliability in case of incomplete or imprecise datasets.

In the video piece developed for the exhibition, the artist duo introduces ALICE. 22 volunteers apply for clinical trials of ALICE’s health-improvement products and processes. The volunteers range from individuals who are deeply engaged with health-related issues to transhumanists and skeptical activists. But perhaps more importantly, they embody the spectrum of emotional responses to the new AI-based health technologies: fear, excitement, skepticism, hope, and dependency. This becomes clear in a series of interviews
between the company and volunteers, whose faces are obfuscated by turning them into animated watercolor portraits.

 

¹ The title refers to the figure of the Red Queen in Lewis Carroll’s novel Through the Looking-Glass, and What Alice Found There. The Red Queen explains to Alice that she has to run as fast as she can to stay in the same place. In evolutionary biology, the so-called “Red Queen Effect” describes a hypothesis of evolutionary adapta-tion proposed in 1973. According to this hypothesis, species must constantly evolve or adapt to survive in a changing environment.

Read more

Bodies in Systems: Algorithmic Promises of Cure

Lecture — November 08 – November 08, 2025

Discussion at Berlin Science Week 2025

Learn more

The Red Queen Effect in Health Care: On AI Development, Regulation, and Reality

Lecture — October 21 – October 21, 2025

Lecture by Prof. Dr. Petra Ritter, followed by a conversation with kennedy+swan

Learn more

Exploring the machinic vision of (human) tissue

Dialogue — September 13, 2025

Guided tour and discussion with kennedy+swan and Nataša Vukajlović as part of Berlin Art Week

Learn more

Gallery

Opening of the Exhibition "The Red Queen Effect" by <em>kennedy</em>+<em>swan</em> at the Project Space of the Schering Stiftung, 10. September 2025
Opening of the Exhibition "The Red Queen Effect" by <em>kennedy</em>+<em>swan</em> at the Project Space of the Schering Stiftung, 10. September 2025
Opening of the Exhibition "The Red Queen Effect" by <em>kennedy</em>+<em>swan</em> at the Project Space of the Schering Stiftung, 10. September 2025
Opening of the Exhibition "The Red Queen Effect" by <em>kennedy</em>+<em>swan</em> at the Project Space of the Schering Stiftung, 10. September 2025
Opening of the Exhibition "The Red Queen Effect" by <em>kennedy</em>+<em>swan</em> at the Project Space of the Schering Stiftung, 10. September 2025
Opening of the Exhibition "The Red Queen Effect" by <em>kennedy</em>+<em>swan</em> at the Project Space of the Schering Stiftung, 10. September 2025
Opening of the Exhibition "The Red Queen Effect" by <em>kennedy</em>+<em>swan</em> at the Project Space of the Schering Stiftung, 10. September 2025
Opening of the Exhibition "The Red Queen Effect" by <em>kennedy</em>+<em>swan</em> at the Project Space of the Schering Stiftung, 10. September 2025
Opening of the Exhibition "The Red Queen Effect" by <em>kennedy</em>+<em>swan</em> at the Project Space of the Schering Stiftung, 10. September 2025
Opening of the Exhibition "The Red Queen Effect" by <em>kennedy</em>+<em>swan</em> at the Project Space of the Schering Stiftung, 10. September 2025
Opening of the Exhibition "The Red Queen Effect" by <em>kennedy</em>+<em>swan</em> at the Project Space of the Schering Stiftung, 10. September 2025
Opening of the Exhibition "The Red Queen Effect" by <em>kennedy</em>+<em>swan</em> at the Project Space of the Schering Stiftung, 10. September 2025
Opening of the Exhibition "The Red Queen Effect" by <em>kennedy</em>+<em>swan</em> at the Project Space of the Schering Stiftung, 10. September 2025
Opening of the Exhibition "The Red Queen Effect" by <em>kennedy</em>+<em>swan</em> at the Project Space of the Schering Stiftung, 10. September 2025
Opening of the Exhibition "The Red Queen Effect" by <em>kennedy</em>+<em>swan</em> at the Project Space of the Schering Stiftung, 10. September 2025
Opening of the Exhibition "The Red Queen Effect" by <em>kennedy</em>+<em>swan</em> at the Project Space of the Schering Stiftung, 10. September 2025
Opening of the Exhibition "The Red Queen Effect" by <em>kennedy</em>+<em>swan</em> at the Project Space of the Schering Stiftung, 10. September 2025
Opening of the Exhibition "The Red Queen Effect" by <em>kennedy</em>+<em>swan</em> at the Project Space of the Schering Stiftung, 10. September 2025
Opening of the Exhibition "The Red Queen Effect" by <em>kennedy</em>+<em>swan</em> at the Project Space of the Schering Stiftung, 10. September 2025
Opening of the Exhibition "The Red Queen Effect" by <em>kennedy</em>+<em>swan</em> at the Project Space of the Schering Stiftung, 10. September 2025
Opening of the Exhibition "The Red Queen Effect" by <em>kennedy</em>+<em>swan</em> at the Project Space of the Schering Stiftung, 10. September 2025

Opening

kennedy+swan: The Red Queen Effect

Visit the media library

 

"kennedy+swan have been interested in the future of nonhuman intelligence and its impact on plants, animals, and humans for quite some time.”

Birgit Rieger in: tagesspiegel, 10. September 2025

On the screens, 3D renderings of a laboratory—whose aesthetic is clearly reflected in the interior design—alternate with fictional applicants requesting admission to the 'Alice' project. These figures are painted in watercolor: blurred at the edges, soft and vulnerable, contrasting with the angular pixel hardness of the 3D laboratory, which is reminiscent of early video games."

Carla Huttenloher in: art-in-berlin, 14. September 2025    

"In their studio and beyond, kennedy+swan are using their art practice as a means to slow us down and empower us to critically reflect on the accelerated nature of this algorithmically-obsessed moment."

Lars Holdgate in: Berlin Art Link, 23. September 2025

“Anyone visiting this exhibition hoping for clear answers will be waiting a long time. As is so often the case, the artists deliberately refrain from providing a precise interpretation. Viewers are challenged to do the thinking themselves. It is up to us as viewers to decide where we stand on this spectrum and what conclusions we draw for our own actions.”

Carolin Kralapp in: gallerytalk, 4. November 2025

Partners 

This Project is realized in cooperation with the following partners:

BIFOLD
Technische Universität Berlin
Berlin Art Week

kennedy+swan (founded in 2013) comprises the work of the two artists Bianca Kennedy and Swan Collective. When working together, they explore the future of non-human intelligence and its impact on plants, animals, machines, and humans. These utopias are liberated from human supremacy, illuminating the ecological benefits of hybrid life forms, and addressing the twisted relationship between humans and biotechnology. kennedy+swan exhibit internationally in galleries, museums, and festivals. Exhibitions include the Lyon Biennial, Gropius Bau Berlin, Kunstmuseum Stuttgart, Museum der bildenden Künste Leipzig, CCBB Rio de Janeiro, and Sundance Film Festival. They were selected for a Studio Quantum residency from the Goethe-Institut in Ireland in 2023 and have been awarded a BIFOLD Residency for 2024/25. They live in Berlin.

 

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Contact & social networks

Schering Stiftung

Unter den Linden 32-34
10117 Berlin

Telefon: +49.30.20 62 29 65
Email: info@scheringstiftung.de

Opening hours
Project space

Thursday to Monday: 2 pm - 8 pm
Saturday to Sunday: 12 am - 8 pm
free entrance

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