Photo: Libby Heaney, still from Ent-, 2021.
Photo: Libby Heaney, still from Ent-, 2021
February 10 – May 01, 2022
Thursday and Friday, 1–9 p.m.
Saturday and Sunday, 11 a.m.–7 p.m.
Please book your time slot here on the website.
ATTENTION: On Thursday, April 28, the exhibition will be closed all day for the event “Complement-arity”.
The exhibition Ent- by artist and PhD quantum physicist Libby Heaney marks the leap into the quantum age – at least in art. Light Art Space (LAS) presents in the exhibition space of the Schering Stiftung, the first artwork that not only thematically addresses this new technology, but that was created with a quantum computer. For the Schering Stiftung, Libby Heaney is the first artist to unite in herself the transdisciplinary approach we stand for.
Heaney has been experimenting with quantum computing for a number of years. She is the only artist in the world using quantum computing as a functioning artistic medium and Ent- will be a 360-degree interactive installation taking quantum computing as both medium and subject matter. No fully fledged quantum computer is yet in existence but the technology has the potential to achieve results and speeds impossible with current computing. Ent- will explore the transformative changes quantum computing is expected to wreak on the future of everyday life.
Ent- is a quantum interpretation of the central panel of Hieronymus Bosch’s famous triptych The Garden of Earthly Delights (ca. 1490–1510). Visitors will enter a black cube in which a 360-degree projection takes them through the layers of Bosch’s painting – sky, buildings and landscapes, and water. Heaney has used quantum code to manipulate and animate her own watercolour paintings, creating hybrid creatures inspired by Bosch’s medieval monsters, landscapes that seem to shift and breathe, and exploding structures that float and re-form. Heaney chose to work with watercolour in particular because the bleeding of colours into one another reflects the merging and blurring of the quantum world.
In an entirely new visual language, Heaney creates plural visual effects only possible using quantum computing; digital images become hybrid and fragmented in a blurred, pixelated aesthetic that attempts to represent the layered reality of the quantum world. However, her work does not require previous knowledge of quantum systems and encourages viewers to make their own perception-based, emotional responses to the disconcerting yet invigorating quantum world.
Prof. Silvia Rudloff talks about the individual composition of human milk; what potentials and possibilities does this offer for medicine and humans?Learn more
Titled CASQADES, the interactive one-hour programme invites participants on-site and online to join in an exploration of possible futures unleashed by quantum technologies.Learn more
Musician Nabihah Iqbal and visual artist and quantum physicist Libby Heaney perform live in the immersive installation Ent-.Learn more
Panel Talk with Libby Heaney, Ariane Koek and Anna PappaVisit the media library
Dr. Markus Krutzik: "0, 1, … Quantum leap"Visit the media library
Libby Heaney (b. 1983) is a British artist and lecturer who holds a PhD in Quantum Information Science from the University of Leeds and an MA in Art and Science from Central Saint Martins in London. She has exhibited widely in galleries and institutions in the UK and internationally, including solo exhibitions at Holden Gallery, Manchester (2021); Goethe Institut, London (2019); Emmanuel Church, Loughborough (2021) as part of Radar, Loughborough University’s contemporary art programme; and at Non-Space Gallery, Aarhus (2017) as part of their EU Capital of Culture programming. Group shows include RMIT Gallery, Melbourne (2021); Art-AI Festival, Leicester (2021); MUTEK, Montreal (2021); Etopia Center for Art & Technology, Zaragoza (2021); arebyte Gallery, London (online 2020); LUX with Hervisions (online 2020); Tate Modern, London (2016, 2019); ICA, London (2019); V&A, London (2018); Barbican, London (2019); Somerset House, London (2019); Sheffield Documentary Festival (2018); Science Gallery, Dublin ( 2017, 2018, 2019, 2021); Sonar+D, Barcelona with the British Council (2017); Ars Electronica, Linz (2017); CogX, London (2018); and Telefonica Fundacion, Lima with the British Council (2017).
As well as quantum computing, Heaney’s practice also incorporates AI and VR technology, using each of these tools critically to investigate how and who they empower and disempower. Often Heaney’s work subverts the usual uses of these technologies, forcing them to work against themselves to expose their drawbacks and dangers. Inspired by Surrealism and Dadaism, Heaney’s work often incorporates humour and nonsense to investigate subjectivity, truth and perceptions of reality, as well as our seductive relationships with new technologies.
Unter den Linden 32-34
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Thursday to Monday: 1 pm - 7 pm
Saturday to Sunday: 11 am - 7 pm